1. Office Assistant-Photography Agency: I do meet the qualifications for the job. I need great communications kills, self-motivation, ability to work alone, creative and strategic thinking. I would want to have the job because it seems fun. The starting pay is $20.00. I would be able to support myself with this job.
2. Studio Photographer and Videographer: I don’t meet the qualifications. Some skills needed are develop product visuals, elevate digital photographs, capture the essence, conduct model and product videography. I would want this job because like videoing and editing. The starting pay is $22. I would be able to support myself.
3. Freelance Photographer and Videographer: I don’t meet the qualifications for the job. I need a portfolio of my previous work, a degree in photography or diploma, experience with different cameras, proficiency adobe photoshop. the starting pay for this job is $19. I would be able to support myself with this job.
4. Downtown La-Automotive Porter/ Photographer: I don’t have qualifications for the team. I need to drive manual transmission a valid driver’s license, 5 days available for shooting cars. I would like this job because I enjoy photography and good-looking car. The starting pay is $18-$24. I would be able to support myself with this job.
5. Freelance Photographer for events: I don’t meet the qualifications for the job. Sme requirements are maintain and managing photography equipment, coordinating other staff, communicating with clients, using specialized equipment, editing photos. I would want this job because the pay is $80 an hour and that motivates me. I would be able to support myself.

I think this portrait is very nice. I like how the photographer uses two different gel colors. The way the photographer took the picture makes the girl look very sophisticated. She also looks mysterious. The contrasting lights make me feel eerie as if in a scary movie.

1. When you need more light
2. no
3. the flash goes off at the same time the camera takes the picture
4. it is a mode on the flash
5. you wont get the flash in pictures
6. to put more light onto the subject
7. sets off the camera flash
8. move the flash

1. setting the exposure using the histogram: the camera’s LCD screen might be a good way to tell if what you’re doing is right, but it’s not entirely reliable in conditions like harsh sunlight. The best way to tell if your exposure is correct is by consulting the histogram.
2. RAW: Shooting in RAW format will give you access to the full capabilities of your camera.
3. Selecting focus points manually: learning to change the AF points manually is a useful skill. It will improve focusing accuracy and reduce chances of missing important shots.
4. Learn all AF modes: Most cameras come with different autofocus modes like One-shot AF, Servo AF and AI Autofocus. All of these modes have different uses, depending on subject and situation.
5. Aperture priority: having complete control over aperture means control over depth of field. This is a great setting for shooting portraits with a blurred background.
6. Shutter priority: gives you complete control over shutter speed while making all the other settings automatically, according to the selected value. This is a great setting for situations where you don’t want the shutter speed to go over or under a specific value.
7. control motion blur: Motion blur often comes from using a shutter speed that is too slow for holding the camera in your hands. Every photographer has a maximum low speed they can use.
8. manual white balance: All digital cameras have a few white balance presets.While they can do a fairly decent job, it is recommend learning to set white balance manually, according to each lighting situation.
9. drive modes: The first mode allows you to shoot one frame at a time. It great for studio work or when shooting anything you have complete control over. CL is great for portraits when you have an expressive model and don’t want to miss any interesting faces. CH is the shooting mode for sports, wildlife and anything that moves fast.
10. ISO: Lower values are great when there is plenty of light to work with. Higher ISO values are needed for working in low light.
11. Auto ISO: auto ISO will help you when shooting hand held. It will increase or decrease the value in order to allow you to shoot with a shutter speed fast enough for hand held operation.
12. exposure compensation: It is a +/- scale that will tell your camera to increase or decrease exposure, depending on your needs. It works for all semi-automatic modes (P, Av, TV) and will influence exposure in increments.
13. manual exposure: full manual control

Two school workers having a conversation during class.

A girl stressed about her school work in class

A girl looking at her laptop in class.

ASB student having a conversation with peers while making posters.

Two security guards joking about random stuff while roaming around the school.

This photographers photos really caught my eye. Their timing for the photos seems perfect, especially with the first photo. They capured and really nice moment between 2 people. I also like it because not only did they get a nice moment, they also got the beautiful veiw in the back. Everything about that picture I enjoy. The second photo also is nice to me. It really captured the everyday life of these two children. It doesn’t feel like a rare moment when I see the photo. It feels like something I can see the kids doing again. Over all this photographer is very good at candid photos.

1. Professional studio light sources generally fall into one of two categories: you can get a kit with a flash head and a power pack, or you can get a monolight kit.
2. The most common types of light modifers are umbrellas and softboxes.
3. Stands and grips are used to support your light sources, strobes, and even light modifiers or backdrops.
4. Lighting equipment can be very expensive, so make sure you get the tools that are right for you
5. Reflecting umbrellas produce a diffused and soft light due to the larger size of the reflecting surface
6.  Silver-lined umbrellas are the most efficient and can focus light more  narrowly than the other types.
7. White umbrellas offer a wider spread of reflected light, and gold umbrellas produce a warm tone.
8. If you’re shooting outdoors or with complicated modifier setups, you are going to need a lot of power to overcome the sun or the light loss caused by the modifiers
9. A head and power pack kit consists of the flash head and a small power pack that acts as the generator that supplies energy to the flash head
10. Monolights, on the other hand, are compact substitutes for a power pack/flash head combinations. Their size limits their power, but they are often desired for their portability.

M, f/4.0, 1/320 sec, ISO 3200, 50.00 mm

M, f/4.0, 1/320 sec, ISO 1600, 50.00 mm

Photo by Aaron Siskind

I like his abstract work. I think that it is very interesting to look at. I also think that it’s different than most others work.